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UAD NEVE 1073 PREAMP PLUGIN VE SLATE DIGIAL PRO
UAD NEVE 1073 PREAMP PLUGIN VE SLATE DIGIAL PROFESSIONAL
UAD NEVE 1073 PREAMP PLUGIN VE SLATE DIGIAL SERIES
UAD NEVE 1073 PREAMP PLUGIN VE SLATE DIGIAL PSP

Models after 1983 feature “black-knob” circuitry designed by George Martin, which made the fully-parametric bands more adjustable.Models before 1983 used “brown-knob” circuitry, which made the fully-parametric bands more symmetrical.Constant frequency bandwidth for more presence, edge.High and low-shelves with options for bell curves.Although the E-Series and G-Series EQs are nearly identical, there are a few key differences: E Series:

UAD NEVE 1073 PREAMP PLUGIN VE SLATE DIGIAL SERIES

Modeled after the original SSL 4000 E console introduced in 1979, and the subsequent G Series in 1987, the SSL channel strip EQ is one of the most well-known equalizers in the world. Often credited with defining the sound of popular music in the 80s, the SSL 4000 channel strip EQs are often praised for their “brightness and clarity”, and “bold, punchy character”.

Many engineers find that certain analog EQs excel at a particular t Play Video 2. With some EQs, every single band has its own unique sound. You may think that boosting or cutting a frequency would sound the same regardless of the EQ used to cut it - but you'd be dead wrong.

UAD NEVE 1073 PREAMP PLUGIN VE SLATE DIGIAL PRO

UAD – Pultec Pro Equalizer Explained (complete walkthrough)

UAD NEVE 1073 PREAMP PLUGIN VE SLATE DIGIAL PSP

Note: Although the values look the same on the Pultec EQP-1A, the boost function actually has more gain than the attenuation function.ĭue to its unique tonal quality and EQ curves, the Pultec EQP-1A is great for adding warmth and sparkle to kick drums, guitars, or even the stereo buss.Įmulated by: Acoustica Audio, Antelope Audio, Bomb Factory, Brainworx, G-Sonique, IK Multimedia, Logic Pro X, Nomad Factory, PSP Audioware, Softube, UAD, URS, Waves A selectable-frequency bell curve for cutting with an adjustable Q value.

A selectable-frequency high-shelf for boosting.

A selectable-frequency low-shelf with separate boost and attenuation controls.

By using the individual boost and attenuation controls, you can create some truly unique and musical EQ curves. The EQP-1A’s quirky interface is actually part of its charm. It’s technically a three-band EQ with low-shelf, high-peak, and high-shelf controls - although you wouldn’t know by looking at it. Originally released by Pultec in 1951, the EQP-1A is one of the most unique EQs on the market. Here are the most popular plugins modeled after analog equalizers. There are countless EQ plugins modeled after analog hardware, as well as a variety of new plugins with proprietary designs. Many of the analog equalizers of yesteryear are still used today for just this reason - they do something that no other equalizer can do quite as well. Maybe another EQ is perfect for adding warmth in the low-mids without making things muddy. Or another EQ is great for performing surgery, like removing a nasty ring from a snare drum.

Maybe one EQ has a great sounding top-end, so you add a little sparkle with a high-shelf.

UAD NEVE 1073 PREAMP PLUGIN VE SLATE DIGIAL PROFESSIONAL

When professional mix engineers use multiple EQs on a single track, it’s not because the sound source needs that much attention - it’s usually because each EQ is doing one thing, but doing it very well. Many engineers find that certain analog EQs excel at a particular task. You may think that boosting or cutting a frequency would sound the same regardless of the EQ used to cut it - but you’d be dead wrong.